朕不想登基

简介：夜深人静，白日的束缚悄然褪去，是时候迎接真实的自己。在这里，我们为您准备了一场感官的极致盛宴。每一次心跳，都是对寂寞长夜最有力的回击。探索未知，体验前所未有的私密与刺激。别再压抑，点击开启属于你的午夜狂欢。

简介：本片讲述的是三个女孩子经过不同的人生经历走在一起的故事，在本片中把三人的友谊表现的淋漓尽致。

简介：本片改编自真人真事。一名乡下老师在1925年遭警方拘捕，因为他违反了当时的法律禁令，在课堂上公开讲授达尔文的“进化论"。此事在平静的南方小镇此起轰动，两位顶尖的律师各据一方代表正反两面互相抗辩，等于人类直接向上帝的权威挑战。

简介：1950年代，土改以后，老模范高正国（方化 饰）有点走下坡路了。慢慢地，集体活动不参加了，一心闹个人发家，老伙计陈为邦（王延盛 饰）的话也听不进去了。周围群众意见很大，说他不象个老贫农的样子。女儿二珠（陈学洁 饰）通过老农会（刘儒 饰）的开导，了解了父亲固执落后的思根源。老陈的儿子小海（霍德集 饰）也帮二珠做他父亲的工作，但父女俩还是在征购余粮的问题上闹翻了。随着合作化的到来，高正国急的座卧不安，他不情愿自己的财产归大队。老农会组织积极分子找他谈心，特别是李大妈的投井自尽，强烈震撼了高正国的神经。曾经的老模范终于把视为生命的土地证交给了社里......

简介：

　　该片讲述芙拉维亚是一个脆弱没有安全感的女人。她有两段失败的婚姻、两个儿子和一只借来的狗，她总是渴望得到周围的人的认可和喜爱。在一些意外事故和惊奇的发现之间，芙拉维亚认识到没有女人是完美的，而自尊和自由则一直都在那里，触手可及。

简介：Having weathered marriage pressures from family and friends in the first movie of the series, Efsun is now with the man of her dreams, Sinan. But the complications facing her love life don't get any less. As if her own chaotic family wasn't enough, she now has to contend with Sinan's - his grandmother, Cavide, in particular - and things quickly spin out of control. Will she make it through hell and high water to fulfill her dream of a peaceful life with Sinan Does she really want the wedding everyone else has decided on for her Written by BKM(httpwww.imdb.comsearchtitleplot_author=BKM view=simple sort=alpha ref_=tt_stry_pl)

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：故事讲述艾米，一个11岁的女孩，在学校加入了一个名为“可爱”的舞蹈团，她很快就意识到她日益增长的女性气质——在这个过程中，这让她的母亲和她的价值观感到不安。

简介：警方在草丛中发现一具白人女孩的尸体，随后，种族矛盾和腐败问题开始在这个小镇愈演愈烈

简介：一名男子不滿一樁冤獄案件的發生，私自綁架審判該案的法官，將其囚禁於地下室，並錄影開直播，公開質疑其判決有誤，要求社會大眾對其進行公審並投票，然而最終的結果，會因此撼動程序正義嗎？

简介：影片讲述了两个年轻人因为音乐而相识、相恋的故事。女主角拉特纳因为父亲去海外工作而到姑姑家借住，并转到了加利所在的学校。加利因为家境不好，靠打工赚钱和学校的资助勉强维持着学业。两个人在聊天中发现彼此对音乐有着十分强烈的共鸣，并因此逐渐靠近，最终相爱。然而，不同的家庭背景却成为了他们爱情的阻碍……

简介：17岁的优质处男周小天（杨佑宁）时常会在梦中与一健壮男子缠绵，为寻梦中情人，他千里迢迢从台南来到台北。通过好友小宇（金勤）的介绍，周小天开始在一家健身房打工，因此结识众同志眼中的头号单身型男白铁男（Duncan），疑惑其就是自己的梦中人，对其心生好感，然而因为不离白铁男半步的男孩俊（张大镛），周小天怀疑有关白铁男花心不负责任的传言属实。　　当周小天尝试与白铁男交往时，仍不时出没的俊引发一场误会，令他对白铁男的好感度迅速降低。一帮好友为帮周小天走出心情的低谷，企图揪出白铁男替他报仇，却发现白铁男的秘密。